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Monthly Archives: August 2018

About Wildlife Scouting Cameras

This scouting camera was the proof that I needed to convince myself that the problem was not nocturnal deer but it was actually a deer management problem.

In the eight years since that initial camera purchase I have gotten pictures of bucks that I had not seen, but this wasn’t until after I had implemented a quality deer management plan on our property. One thing is certain, if mature bucks are not on your property you will not get a picture of them and you will definitely not see them.

You can use your scouting camera pictures to get approximate buck to doe ratios simply by observing the ratios that are in the pictures. Also it is easier to estimate the quality of the bucks on your property once you have a picture that you can study. You will also get pictures of the other wildlife that make their homes on your property.

With a scouting camera you can practically perform 24 hour scouting, especially with the new digital scouting cameras. For those of us who work it is difficult to spend a lot of time scouting, but the camera can be your eyes.

A scouting camera cannot find bucks that are not there but they do a real good job of letting you know what is.

Camera Placement

Where do you put your scouting camera? This is one of the fun parts of having a scouting camera. Deciding where to put the camera is just like deciding where to hunt.

The easiest way to get pictures of whitetail deer is to have something that attracts them. If you do this, a camera can take a lot of pictures in a short period of time. Be careful of your delay settings on your camera or you could get a lot of pictures of the same deer.

It is interesting to put the camera up at various places such as: well used trails, scrapes, rubs, food plots and minerals licks. I’m sure that you can think of a few places where you would like to know how much deer activity takes place.

Most scouting cameras have the ability to place the date and time on the photograph. This can be very helpful in determining the time of day the deer show up at your particular hotspot. I use it to let me know what time I have to be in the woods in the mornings so that I don’t have to get out of bed any earlier than I have to.

Set Up Tips

There are a few things that will help ensure that you will not be disappointed with your scouting camera.

Try not to place the camera where it is facing into either the rising or setting sun.

Clear weeds away from the front of the camera so that you do not get pictures of weeds swaying in the breeze.

Do not set your camera up too close or far away from where you expect the deer to travel. A camera set up on a tree within 3 feet of the trail is too close whereas most flashes cannot reach much beyond 30 feet or less.

Fresh batteries! It is very disappointing to find out that you didn’t get many pictures because your batteries have died. Rechargeable batteries are gaining popularity lately; I’m having good success using them with my digital scouting camera.

I advise buying a scouting camera that has a locking device. It would be too easy for someone to walk away with your camera if it is not locked.

I am using a digital scouting camera for the first time this year and highly recommend them. There are many advantages to the digital camera, in particular the capability of viewing your pictures right away.

Skinny on Being Photogenic

It doesn’t come up too often, but when it does, a little knowledgeable advice would be greatly appreciated. Generally, the same kind of make-up appropriate for an evening date will also photograph well. A little darker base prevents your skin from washing out in the lights and extra cheek color is a must. Lipstick photographs on the rich side, so pick a more muted shade. Lip liner is not a good idea and be sure to follow your real lip shape. Lip gloss is a plus. Some things to avoid are pearly eye shadow, lower lash liner and a too shiny look. Proper lighting will take care of any bags under your eyes and a good surface hair spray will eliminate any stray hairs.

In the clothing department, try to go for a simple, dramatic effect: no intricate patterns, round necklines, mismatched color sets, or dull, wrinkled materials. Rather look for solids or two tones, V necklines, three piece outfits (for business), and one bright color among subtle shades of neutrals. Shiny materials show up well under the lights and textures like cable knits, heavy sweaters and linens add interest to the photograph. Always bring an alternate outfit just in case one will photograph better than the other.

Every good portrait photographer will introduce some level of soft focus along with large reflector for soft lighting. A pre- consultation is useful for finding out whether a soft filter is used and the effect it has on your skin. Try to observe an appropriate sample of the exact filter and lighting to be used on you. What you see is what you get is not just a saying.

About Digital Camera Interpolation Explained

Looking into the technical aspects it can be stated that interpolation is a technique where the spatial resolution of an image is increased from its original size to a higher or larger resolution. The spatial resolution of an image is simply its horizontal x vertical pixel count. For example 1600 x 1200. Again getting into further intricate details it can be stated that there are two techniques of interpolation commonly used, they are software and hardware. Again software interpolation can be performed on a digital image using a one of a number of image editing programs such as PhotoShop. This is often termed as resizing and is done with a computer, performed on an image file from a digital camera that already exists in a file format such as JPG. Hardware interpolation involves the resizing of an image, but it differs from software interpolation in that the image is resized algorithmically inside the camera during the image processing sequence and before the image has been saved as a JPG image file.

Also, it can be noted here that JPG is a compressed image file format. Whenever a file is saved as a JPG file, image data is lost in the compression process. Image data is thrown away in exchange for file-size efficiency. Software interpolation is a process performed after the JPG losses have been applied. Hardware interpolation occurs inside the camera prior to JPG compression and before JPG losses have been applied. The resulting hardware interpolated images are of superior quality to a comparable image interpolated in software.

These are basically the important points as discussed in the above lines regarding the digital camera interpolation. The explanation is worth for every user who can be a novice as well as an expert and thus uncovers another great feature of a digital camera, the process of interpolation.

About Nude Art Photography

Subgenres and Subjets

“Feminine nudity must be given to men by the teaspoonful, not with a scoop.” (Coco Chanel)

Nude photography divides into three basic forms: the “classic” full nude with a simple background, full nude model where model is completely naked; the detailed nude depicting certain details of the body, abstracting and making them anonymous, and emphasising the forms and structures of the nude; and finally the half nude, where the model is partially clothed or partially wrapped with accessories.

History and development

The nude is a classic subject in art. Already the early high cultures (Egypt, Crete, India among others) knew nude representations. Its development into other representation forms can be pursued from Greek clay to the art of the middle ages and on to the European art of the modern age. Since the renaissance, the study of the nude human body is an intrinsic part of art education at art academies.

Since around 1847 the nude has also become the object of photography, the first nude photographers including Philippe Debussy, E. Delacroix, Eugene Durieu and B. Braquehais. Models were both professionals and prostitutes and photographs were both artistic and “spicy”, which often invited the aversion of moral and law enforcement officers.

Important Nude Photographers

o	Bettina Rheims 					     David Bailey 

o	Eric Kroll 						Helmut Newton 

o	Hans-Peter Muff 					

o	Jan Saudek Meister der Koloriertechnik (kolorieren) 

o	Jeanloup Sieff 						Man Ray 

o	Paul Outerbridge 					Petter Hegre 

o	Richard Kern 						Roy Stuart 

o	Robert Mapplethorpe 					Sam Haskins 

o	Uwe Ommer 						G√ľnter Blum